I’m just some irritating, lying, ginger kid from Cornwall who should have been locked up in some youth detention centre. I just managed to escape and blag it into music. [If I hadn’t] I’d have gone to jail for computer hacking. I’m a really good hacker, but I’m not a sensible person. Richard D. James…
This set was recorded live at Re:Generate 2011, the name chosen by the Om Reunion Project to set the mood for their summer solstice gathering that year. I was scheduled to play on Sunday morning at the Moon Bass stage, a great little setup in a forest clearing on a beautiful piece of land in Southern Ontario. It felt…
The seasons turn and spring has come to Canada once again. As is my custom, I have annotated a list of thought-provoking articles about the state of the music industry. If you would like to learn a little more about what the future might hold, read on. Everything popular is wrong: Making it in electronic music, despite democratization is…
Industrial is white-hot funky dance music, squeezed out of everyday white noise. The sound fragments and fluffed up news of our lives provide the back beat, over which are added lyrics of domination, control, and disaffection, usually sung by a demonic-sounding narrator singing from a distance. Post-Industrial dance (like early Industrial) is built around the sounds our culture…
Most label owners are overwhelmed with demos. Speaking as someone who has, at times, attempted to actually get to every demo arriving in my inbox, the vast majority are not worth looking into, and I don’t blame any label owner who ignores unsolicited demos—sorting through what might be worthwhile to release is actually a full-time job known as A&R…
One of the most common suggestions I receive from Ektoplazm visitors is to open a BitTorrent tracker for free music, ostensibly to decrease hosting costs. There are a number of problems with this suggestion, however, and given how frequently it is mentioned, I figure a full post might be helpful to explain why BitTorrent is not a universal…
Every season I try to gather up some of the more interesting music-related articles I’ve been reading to share and discuss. Much of this comes from subscribing to various “music 2.0” blogs, though I will admit to feeling uninspired by much of what I have found in the last few months. Is the movement running out of ideas? Not exactly.
Continuing my quarterly habit of rounding up some of the more informative and thought-provoking content in the new music literature… First off, Cory Doctorow shares his views in The real cost of free, a fantastic opinion piece summarizing many of my own views about copyright, piracy, free content, and creativity. Required reading.
I recently had the pleasure of watching RiP: A Remix Manifesto, a documentary about culture, copyright, and creativity in the 21st century directed by Canadian filmmaker Brett Gaylor. The main focus of the film is Girl Talk, a mash-up artist, though you will also hear from Lawrence Lessig, co-founder of the Creative Commons (and a huge…
The ultimate cost reduction is eliminating atoms entirely and dealing only in bits. Pure digital aggregators store their inventory on hard drives and deliver it via broadband pipes. The marginal cost of manufacturing, shelving, and distribution is close to zero, and royalties are paid only when the goods are sold. It’s the ultimate on-demand market: Because the goods…